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Universität Mozarteum Salzburg, Mirabellplatz 1, 5020 Salzburg
Internationales Symposium
MIKROTÖNE ~ MICROTONES
SMALL IS BEAUTIFUL
Vorträge und Konzerte zum Schwerpunkt Mikrotonale Musik
Eine Veranstaltung der Internationalen Gesellschaft für Ekmelische Musik
in Zusammenarbeit mit der Universität Mozarteum Salzburg.
Wir freuen uns, das Programm für das Symposium bekanntzugeben (Änderungen vorbehalten).
Ankunft – Anmeldung
Eröffnung – Begrüßungsworte
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Referate I
Moderation: Agustín Castilla-Ávila
Rūta Stanevičiūtė (LTU)
Rediscovering the Lithuanian Microtonal Music: Jeronimas Kačinskas and the Hába School
Hans-Gunter Lock (EST)
Organizing Microtonal Pitches. Tables of Pitch-Class Sets for 13 to 24 Equal Division of the Octave as a Tool for Composers
Manuel Dominguez Salas (MEX)
Freedom and movement of microtones in ishini’ioni string quartet
MITTAGSPAUSE
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Referate II
Moderation: Gertraud Steinkogler-Wurzinger
Georg Hajdu (DEU)
Syntactic Considerations in the Modulation between Microtonal Scales
Johannes Kotschy (AUT)
Microtonal Music – Just Imagination?
Jacob Elkin (USA)
Just intonation quarter-tone practice for trombone
KAFFEEPAUSE
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Referate III
Moderation: Johannes Kotschy
Tolgahan Çoğulu (TUR)
The Application of Al-Kindi’s Oud Fret Values to the Guitar and Analysis of Enis Gümüş’s piece “El-Kindî”
Iván Cipactli Hernández Espinosa (MEX)
Expansion of the microtonal marimba
Konzert I
Iván Cipactli Hernández Espinosa (MEX)
Quarter-Tone Marimba
Konzert II
“Vom Leben das Beste” – Hommage an Franz Richter Herf
Shakespeare Kunst & Kulinarisches, Hubert-Sattler-Gasse 3, 5020 Salzburg
Konzert III
MICROTONAL JAM SESSION
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Referate IV
Moderation: Agustín Castilla-Ávila
William Anderson (USA)
Eugene Lee’s work in 18-tone combinatoriality
Gertraud Steinkogler-Wurzinger (AUT) und Gunda Dietzel (DEU)
Use and effect of Shrutis and Gamakas in the “Nada-Brahma System” of Dr Vemu Mukunda
Jens Rossel (DNK)
Gunnar Berg’s “Possession”
Christian Klinkenberg (BEL)
“Der Gletscher”, a microtonal opera
MITTAGSPAUSE
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Referate V
Moderation: Gertraud Steinkogler-Wurzinger
Richard Cameron-Wolfe (USA)
Microtones and the Human Psyche: the Legacy of Composer John Eaton
Eleni Ralli (GRC)
Harry Partch’s “The Letter”, a Comparison of the three existing versions (1943,1955, 1972)
Charles Corey (USA)
The Adapted Guitar Music of Harry Partch: A Microcosm of the Composer’s Style and Ingenuity
KAFFEEPAUSE
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Referate VI
Moderation: Johannes Kotschy
Georg Vogel, David Dornig, Valentin Duit (AUT)
Navigation through 31EDO using ut-re-mi-fa-sol-la on a split-keyed instrument
Johnny Reinhard (USA)
128 Tuning – or 8th Octave of the Overtone Series (Harmonic Tuning)
Konzert IV
Johnny Reinhard
“The microtonal Bassoon”
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Referate VII
Moderation: Johannes Kotschy
Elisa Järvi (FIN)
Performing on the Quarter-Tone Piano, Re-Discovering Repertoire
Felipe Pinto-d’Aguiar (CHL)
“A Horcajadas en la Luz” - Harmonic and Textural Techniques
Ben Lunn (GBR)
The imaginary 128 stringed viol: an investigation of Horaţiu Rădulescu’s String Quartet No. 4
MITTAGSPAUSE
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Referate VIII
Moderation: Agustín Castilla-Ávila
Siegfried Steinkogler (AUT)
Teaching Microtonality
Navid Bargrizan (USA)
Microtonal Pentatonic Scales as the Source for “Pictures at the Micro-Exhibition”
Konzert V
Laurent Estoppey (CHE)
“Microtonal Saxophone”
KAFFEEPAUSE
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Referate IX
Moderation: Johannes Kotschy
Stefan Gerritsen (NLD)
31-tone guitar
Katarzyna Bartos (POL)
Hidden mathematical processes? “Stimmung” by Karlheinz Stockhausen
Solitär, Universität Mozarteum Salzburg, Mirabellplatz 1, 5020 Salzburg
Konzert VI
Karlheinz Stockhausen
“Stimmung”
