bis
Virtuelles Symposium via Zoom Meeting
Internationales Symposium
MIKROTÖNE ~ MICROTONES
SMALL IS BEAUTIFUL
Vorträge zum Schwerpunkt Mikrotonale Musik
Eine Online-Veranstaltung
- Eine Veranstaltung der Internationalen Gesellschaft für Ekmelische Musik
- in Zusammenarbeit mit der Universität Mozarteum Salzburg
- und Coworking Salzburg.
- Organisation: Agustín Castilla-Ávila castillaavilahotmailcom
- Meeting Host: Maria Herz (Mozarteum)
Alle Zeitangaben in Mitteleuropäischer Sommerzeit (MESZ = GMT + 2:00)
Tag I
Zoom Verbindung
Eröffnung – Begrüßungsworte
Agustín Castilla-Ávila
Präsident der Internationalen Gesellschaft für Ekmelische Musik
–
Referate I
Moderation: Agustín Castilla-Ávila
Ansehen
Franck Jedrzejewski (FRA)
Old and new Objects in quarter-tone Universe
Yue Xiao (CHN)
Xiaoyong Chen’s “Diary V”, an Exploration of quarter-tone compositional Techniques
Matthew Sallis (GBR)
Reconfiguring Pythagorean Tuning
Pause
–
Referate II
Moderation: Johannes Kotschy
Ansehen
Hans-Gunter Lock (EST)
Practical Experiences with the Bohlen-Pierce (BP) and several equal Division of the Octave (EDO) Scales
Gian Marco Ciampa (ITA) und Georg Hajdu (DEU)
Re: Guitar: Just intonation hybrid Tuning on the classical Guitar
Ivan Cancialosi (ITA)
Floating Microtones for Orchestra
Pause
–
Referate III
Moderation: Agustín Castilla-Ávila
Ansehen
Jacob Elkin (USA)
Constructing a 13-limit JI Sixth-tone Scale and 19-limit twelfth-tone Scale
Georg Vogel (AUT) und David Dornig
(Pseudo)-Spectral Composition- and Improvisation-Techniques in 31-EDO
Richard Cameron-Wolfe (USA) – Komponist
Kharkiv Gitarrenquartett (UKR)
Mirage d’esprit “Suivons le mirage lointain” (from Baudelaire’s poem Le Vin des amants)
Tag II
–
Referate IV
Moderation: Agustín Castilla-Ávila
Ansehen
Marc Kilchenmann (CHE)
On the beauty of small Differences: Ben Johnston's Principles of Variation.
Gerhard Klösch (AUT)
Schiebetastatur
Pascale Criton (FRA) und Paul Bazin (CAN)
Pascale Criton's micro-tempered Universes
Pause
–
Referate V
Moderation: Johannes Kotschy
Ansehen
Eleni Ralli (GRC)
Harry Partch’s Seventeen Lyrics By LiPo (1930-1962). Similarities and Differences in the Notation of two of the six (in total) different Versions of his early Work. Questions, Difficulties and proposed Transcriptions.
Navid Bargrizan (USA)
From Monophony to Melo-Harmony: How Harry Partch influenced Manfred Stahnke
Manfred Stahnke (DEU)
“Just Intonation” – Possibilities in Playing and Hearing on String Instruments, especially Viola
Pause
–
Referate VI
Moderation: Agustín Castilla-Ávila
Ansehen
Patricio Molina (CHL)
Arabic Music and the Piano: The Use of the Piano in Lebanon and Egypt During the Golden Age of Arabic Music
Iván Hernández (MEX)
Expansion of the microtonal Marimba
Noah Jordan (CAN)
Concert: Just Intonation Requinto
Tag III
–
Referate VII
Moderation: Johannes Kotschy
Ansehen
Raphael Ophaus (DEU)
Microtonality as a structural Element in Michael Quell's Works for Gsuitar
Sam Cave (GBR)
Resonance, Overtones and Miniature Voices: Aspects of my recent Compositions
Nicolà Visalì (ITA)
Introduction to fractal Music: Analysis of “Sutra” for Carrillo Piano, Fokker Organ and electric Guitar
Pause
–
Referate VIII
Moderation: Agustín Castilla-Ávila
Ansehen
Tolgahan Çogulu (TUR), Atlas Çoğulu (TUR) und Ruşen Can Acet (TUR)
Lego microtonal Guitar for playing microtonal Music and teaching Music Theory
Rami Chahin (DEU)
Microtonal Music Classifications in Theory and Education
Dan Lippel (USA)
Ken Ueno's Ghost Flower for guitar in an overtone based scordatura
Pause
–
Referate IX
Moderation: Agustín Castilla-Ávila
Ansehen
Felipe Pinto d’Aguiar (CHL)
2 Pieces for solo Guitar and 1 Piece for 33 Guitars utilizing microtonal Scordatura
Andrew Watts (USA)
Tensio Novum: Microtonal Approaches to the Guitar in the Music of Brian Ferneyhough
David Fiuczynski (USA)
Mozart said “the best musicians in the world are birds” – microtonal Melodic and harmonic Chord Scale Possibilities based on Bird Song Transcriptions
Tag IV
–
Referate X
Moderation: Johannes Kotschy
Ansehen
Ulf-Diether Soyka (AUT)
Notes on ekmelic Harmony: Partials, 3rd Messiaen Scale and Maqam Husseini
Amir Ahmadi (IRN)
A comparative Analysis of musical Intervals based on the remaining significant Music Treatises of the early Islamic World
Viktor Pushkar (UKR)
The Family of 24 Tone unequally tempered Tunings
Pause
–
Referate XI
Moderation: Agustín Castilla-Ávila
Ansehen
Rima Povilionienė (LTU)
Microdimensional Shaping of Glissando. Music Composing from accurate Calculation to Sophistication of microtonal Canon
Johannes Kotschy (AUT)
The inherent Laws of musical Scales
Vytautas Germanavičius (LTU)
Identification of microtonal intervallic Relations in Lithuanian Vocal and Instrumental Folk Music and their Application in Music Composition
Pause
–
Referate XII
Moderation: Agustín Castilla-Ávila
Ansehen
Süleyman Görener (TUR)
Proposition of a new Notation System for Turkish Makam Music based on Harmonic Series
Johannes Kotschy (AUT)
Franz Richter Herf, a Heritage
Tag V
–
Referate XIII
Moderation: Johannes Kotschy
Ansehen
Agustín Castilla-Ávila (AUT)
Writing Microtones for Guitar
Siegfried Steinkogler (AUT)
“Ludus microtonalis” – a new Method to learn the Basics of microtonal Music
Caroline Delume (FRA)
Flexibility of Sound Spaces in Francisco Luque's Music for plucked Instruments
Pause
–
Referate XIV
Moderation: Agustín Castilla-Ávila
Ansehen
Christian Klinkenberg (BEL)
The microtonal Capacities of selected Instruments of the Logos Robot Orchestra
Jim Dalton (USA)
A Software Instrument and Tool for Just Intonation in MaxMSP
Daniel Corral (USA)
Polytope and other Microtonal Intermedia by Daniel Corral
Pause
–
Referate XV
Moderation: Agustín Castilla-Ávila
Ansehen
Johnny Reinhard (USA)
Microtonal University
Donald Bousted (GBR) – Komponist
duo Contour (DEU):
Stephen Altoft – 19-division Trompete
Lee Ferguson – malletKAT19.5: a 55 minute work in 12 movements for 19-div trumpet and malletKAT
