Notation of Ekmelic Music
In the notations after Franz Richter Herf and Rolf Maedel, after Ezra Sims, as well as after Horst-Peter Hesse, the sharp / flat symbols are completed by three additional signs and their inversions for the degrees within the semitone.
+1/12 | +1/6 | +1/4 | −1/4 | −1/6 | −1/12 | Alteration, Tone fraction | |||||||||||
0 | → | 16 2⁄3 | → | 33 1⁄3 | → | 50 | ← | 66 2⁄3 | ← | 83 1⁄3 | ← | 100 | Distance in cents tempered | ||||
91 2⁄3 | -- | 8 1⁄3 | -- | 25 | -- | 41 2⁄3 | ---- | 58 1⁄3 | -- | 75 | -- | 91 2⁄3 | -- | 108 1⁄3 | Reach of hearing in cents tempered | ||
| | | | | | Richter Herf / Maedel | |||||||||||
| | | | | | Sims | |||||||||||
| | | | | | Hesse |
In case of Richter Herf / Maedel, the arrows are placed above the notes and they apply to the respective measure, just like the conventional accidentals. A diagonal slash cancels them. However, together with chords, bent arrows are used for better legibility; for example:
See also
- Tables with alterations
- Predefined notation styles in Ekmelily
- Sagittal by George D. Secor and David C. Keenan
- Chronota by Lukas Brandt