Greenwich House Music School, 46 Barrow St, New York, NY 10014

Microtonal Village

Day II

Presentations IV

Chair: Agustín Castilla-Ávila

Watch

  • Ralph Lewis (USA)

    Johnny Reinhard: A Multi-Faceted Microtonal Maven

  • Leonid Galaganov (USA)

    Expressive Affordances of 24-EDO in Christopher Trapani’s “End Words”

  • Luke Villavicencio (USA)

    Pitch in High-Definition

  • Break

Presentations V

Chair: Jonathan Dawe

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  • Katarzyna Daszkiewicz (POL)

    I wrap difficult topics with musical tulle – Microtonality in Agata Zemla’s reportage music

  • Agata Dereń (POL)

    The importance of microtonality in “Lethargy” (2022) for female voice and instrumental ensemble by Alina Dzięcioł

  • Rafał Barcella (POL)

    Notation, sound and rhythm askew: microtonality in Passacaglia for strings by Rafał Barcella

  • Break

Presentations VI

Chair: Agustín Castilla-Ávila

Watch

  • Matthew Sallis (UK)

    Just (Intonation) Stop Equal Temperament Tuning

  • Faustina Dedūraitė (LTU)

    Chess Tournament between Strictness and Freedom: Microdimensional Strategies in the Music of Rytis Mažulis