10:00 a.m.

• Vytautas Germanavičius (LTU)

  New Alteration Symbols Designed to Represent the Micro-Intervals of Lithuanian Traditional Music Scale in MS Word

  • on SoundCloud
  • vgermanagmailcom

10:45 a.m.

• Alyssa Aska (USA)

  Unlocking microtonal harmonic potential with digital dynamic retuning systems: A discussion of newly composed works for e-organ and e-piano

  • alyssaaskagmailcom

11:30 a.m.

• Martin Ritter (CAN)

  “A C-Series”: Recent Works for Microtonal E-Piano

  • martinrittercomposergmailcom

12:15 p.m.

• Lunch Break

01:30 p.m.

• Gerhard Klösch (AUT)

  The prime interval notation and the analysis program Tonplatz

  • gerhardkloeschchelloat

02:15 p.m.

• Matje Sloboda (CZE)

  Beyond the Octave: Recent Works and a Report on Microtonal Activity in Czechia and Slovakia

  • matejslobodagmailcom

03:00 p.m.

• Edward Clijsen (GBR)

  Amsterdamned, Redividing the Octave for Expanded Tonal Spaces: Preliminary Practical Explorations of Formalised Approaches to Polymetric Polymicrotonal Composition

  • eddieclijsengmailcom

03:45 p.m.

• Coffee Break

04:15 p.m.

• Simon Kaplan (FRA)

  Diahemitonic Modality: A Quarter-Tonal Composition System

  • contactsimonkaplancom

05:00 p.m.

• Laurence Willis (GBR)

  Catherine Lamb’s “Curva Triangulus” as an Intermixed Music-Historical Document

  • laurencewilliskugacat

05:45 p.m.

• Ángel Blanco (CAN)

  Lecture Recital:
  World-premiere recordings of microintervallic classics

  • www.angelblanco.rocks
  • infoangelblancorocks