Small is beautiful IV

Day III

Presentations VII

Chair: Johannes Kotschy

Watch

  • Raphael Ophaus (DEU)

    Microtonality as a structural Element in Michael Quell's Works for Guitar

  • Sam Cave (GBR)

    Resonance, Overtones and Miniature Voices: Aspects of my recent Compositions

  • Nicolà Visalì (ITA)

    Introduction to fractal Music: Analysis of “Sutra” for Carrillo Piano, Fokker Organ and electric Guitar

  • Break

Presentations VIII

Chair: Agustín Castilla-Ávila

Watch

  • Tolgahan Çogulu (TUR), Atlas Çoğulu (TUR) and Ruşen Can Acet (TUR)

    Lego microtonal Guitar for playing microtonal Music and teaching Music Theory

  • Rami Chahin (DEU)

    Microtonal Music Classifications in Theory and Education

  • Dan Lippel (USA)

    Ken Ueno's Ghost Flower for guitar in an overtone based scordatura

  • Break

Presentations IX

Chair: Agustín Castilla-Ávila

Watch

  • Felipe Pinto d’Aguiar (CHL)

    2 Pieces for solo Guitar and 1 Piece for 33 Guitars utilizing microtonal Scordatura

  • Andrew Watts (USA)

    Tensio Novum: Microtonal Approaches to the Guitar in the Music of Brian Ferneyhough

  • David Fiuczynski (USA)

    Mozart said “the best musicians in the world are birds” – microtonal Melodic and harmonic Chord Scale Possibilities based on Bird Song Transcriptions